t the quiet nook in Williamsburg that is Shana Tabor's In God We Trust, the spirit of the boy who refused to grow up pervades the warmly lit, inviting space. Here, both men and women can find clothing and accessories that suggest wistful whimsy and Tabor’s belief in “uniting the adventure, play, and fantasy of youth with grown-up ensembles that can be taken seriously.”
The Goods: Silver and gold chains ornamented with bows, valiant knives, dragons, and antique keepsake lockets that resonate with nostalgia; a homespun line of knit hats and dresses also capture the magic of another time that still works in the present.
